irr. app. (ext.)
CD HMS 016

The Sound Projector
July 2009
by Ed Pinsent

This Californian composer has been baffling and perplexing the ears of international listeners for not a few years now, and his new Kreiselwelle, a single 45-minute work of strange process music, is a slow voyage into the unknown. Within minutes, we're taken far beyond the relatively familiar world of "dark ambient" and enter a murky field of immersive and twisted shapes, where possible danger lurks at every corner. Conceptually rooted in an interpretation of the works of Wilhelm Reich, Kreiselwelle is the third part of a trilogy whose other episodes have so far eluded me, and to connect with the "spiral waves" of the title, derived all of its sounds from things shaped like spirals (such as metal springs, or the circular movement of the ocean). In like manner, M. S. Waldron's composition will probably suck you into a whirlpool of doubt and ambiguity