Jim
Haynes
Telegraphy By The Sea
CD HMS 009
Musique
Machine
by Roger Batty
Issue 548, October 17, 2006
Telegraphy By The Sea finds Haynes building a rich and varied
collection of drone textures, going from clearly organic dry crackles
to deeper more lushly dark electronics. Covering a lot of ground in
it's near on hour running time-from mysterious, haunting, to rewarding.
It's nicely presented in a grim hand-printed letterpress & silkscreen
artwork of telegraph poles on black paper by Haynes himself, which
seems to illustrate the weather worn and decaying and rusting drone
quality of the sounds with in perfectly. The sound having the feeling
of been organic, as if it's caught on the wind or humming up through
the earth or vibrations of wires. Yet still very much composed sound
tones been manipulated into atmospheric and building banks of sound,
almost like vaguely melodic fog slipping out of ones stereo and growing
into your listening space, almost giving the feeling of the outside
inside.
It brings to mind either slowly advancing grey seascapes or black
and white footage of endless treeless deserter, the only things standing
lines upon lines of telegraph poles. As the sounds build up density
it has almost a deep space feel, as the drones seem to become denser
and more claustrophobic almost like dark bone chilling star constellations
pressing in on you. But just as it feels it going to engulf you with
the thickness of tone, it drops down to a slow wine glass humming
harmonic drone, before building up layers of sound, but not as denser
as before. A wonderful drone becomes the focus of the track almost
like the sorrowful low drone of a cello, giving a real emotional depth
to the piece, before returning to the denser more deep space drones.
Like all great long form soundpaintings and atmospheric sound worlds,
this changers , grows or dies back to a near murmur. Haynes keeps
the listener guessing and captivated to were he will take the piece
next.This only has a small pressing of 500, so don't think about picking
this up for too long. A rewarding and deep work of sound art. |
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