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2017
Radiesthesia by Ed Pinsent, The Sound Projector, September 2017
Jim Haynes: Electrical Injuries by Matthias Andersson, Fördämning #13, August 2017
Jim Haynes: Throttle & Calibration by Christopher Nosnibor, Aural Aggravation, February 2017 |
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2016
Jim Haynes: Throttle & Calibration by Louise Patterson, The Wire, December 2016
Plus Record Label Spotlight by Chris Zaldua, San Francisco Weekly, March 2016 |
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2015
A Sanguine Disposition by Ed Pinsent, The Sound Projector, August 2015
Exp.Berlin gets an upgrade by Scott Sinclair, Gonzo Circus, May 2015
Der Herbst Der Klänge by Raphael Smarzoch, Neue Zeitschrift für Musik, April 2015
Wieviele Rottöne gibt es? Bad Alchemy, April 2015
Jim Haynes: Scarlet by Emily Bick, The Wire, April 2015
Jim Haynes: Scarlet Gonzo Circus, April 2015
Jim Haynes: Scarlet by Paul Casey, Musique Machine, March 2015
Met Brillo van corrosie naar spiegel en laser by Sven Schlijper, Kindamuzik, February 2015
Aktuelle Besprechungen in Kürze by Michael We, Non-Pop, January 2015 |
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2014
Treading Water by Emma Silvers, San Francisco Bay Guardian, July 2014
Jim Haynes: The Shudder of Velocity by Pierre Céline, Le Son du Grisli, April 2014
Jim Haynes: Ununtrium’s Daughter by Richard Allen, A Closer Listen, March 2014
336 : Kamchatka by Maria Papadomanolaki, The Field Reporter, February 2014 |
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2013
Somewhat Unreal Listening... by Ed Pinsent, The Sound Projector, December 2013
Ghostly International’s Cinematic Exploration of the Ambient Vanguard by Christopher R. Weingarten, Spin, October 2013
Various: SMM Opiate by Max Hampshire, Future Sequence, November 2013
Various Artists: SMM: Opiate by Bruce Gordon, Inverted Audio, November 2013
Jim Haynes: The Wires Cracked by Massamo Ricci, Touching Extremes, June 2013
Jim Haynes: The Wires Cracked by multipara, De:Bug, May 2013
Studio Apartment #6 by Jon Bernson, Secret Decoder, April 2013
Jim Haynes: The Wires Cracked by Richard Allen, A Closer Listen, March 2013
Sonic Bang by Matteo Meda, Rockerilla, April 2013
Jim Haynes : Kamchatka by Lisa Thatcher, Dusted Magazine, February 2013 |
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2012
Tape Decay by Ed Pinsent, The Sound Projector, October 2012
The Decline Effect by Doug Mosurock, Still Single, July 2012
The Decline Effect by Massimo Ricci, Touching Extremes, March 2012
The Decline Effect by Fabien, Liability Magazine, February 2012
The Time of Passing History by Kenneth Baker, San Francisco Chronicle, February 2012
...And Finally HiFi World, February 2012
Outer Limits by Nick Cain, The Wire, January 2012
The Decline Effect Gonzo Circus, January 2012 |
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2011
The Decline Effect Textura.org, November 2011
Love on the Bits by Fabrice Vanoverberg, Rifraf, November 2011
The Decline Effect by Roberto Mandolini, Rockerilla, November 2011
The Decline Effect by Vidal Romero, Go, November 2011
The Decline Effect by Christopher Nosnibor, Whisperin' & Hollerin', November 2011
The Decline Effect by Adrian Dziewanski, Scrapyard Forecast, October 2011
The Decline Effect by Creaig Dunton, Brainwashed.com, September 2011
Zimoun and Jim Haynes at Swissnex CatSynth, February 2011
Cardboard & Fire: Zimoun & Jim Haynes Live by Marc Weidenbaum, Disquiet.com, January 2011 |
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2010
Sever by Massimo Ricci, Touching Extremes, May 2010
De Staebler sculptures, Westerhout photographs by Kenneth Baker, San Francisco Chronicle, Febuary 2010 |
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2009
The Score by Christopher DeLaurenti, The Stranger, August 2009
Sever by Matthew Wuethrich, Dusted Magazine, July 2009
Address Drudion by Julian Cope, Heritage Head, July 2009
Sever.by Lucas Schleicher, Brainwashed.com, July 2009
Sever by Frans de Waard, Vital Weekly, June 2009
Rare Frequencies by Suzanne Bolle, The Phoenix, June 2009 |
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2007
Jim Haynes, keskkonnateadlik California hipi, esines Tartus Y-galeriis by Kaur Garšnek, Eesti Päevaleht,
September 2007
The
Score: Rust and Renewal by Christopher DeLaurenti, The Stranger,
August 2007
Electronica by Dan Warburton, Paris Transatlantic, March 2007
Telegraphy
by the Sea by Grant Capes, Foxy Digitalis, February
2007
Outer
Limits -- Jim Haynes by Keith Moliné,
The Wire, February 2007
Telegraphy
by the Sea by Fabien, Liability Magazine, February 2007
Drone Ambient by Nicola Catalano, Blow Up, issue 105,
February 2007
Telegraphy by the Sea by Klaus Smit, Jazzthetik, February
2007
Telegraphy by the Sea by Jean-Francois Micard, D-Side,
January 2007
Telegraphy
by the Sea by Kevin Macneil Brown, Dusted Magazine, January
2007 |
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2006
Telegraphy by the Sea, Black, December 2006
Sing the Body Electric by Jefre Cantu-Ledesma, The
Urim & Thummin, December 2006
The
Sleeping Moustache by Jonathan Dean, Brainwashed.com,
June 2006
The
Sleeping Moustache, Bad Alchemy, issue 51, July 2006
Wrack Light in Copper Ruin by Derek Walmsley, The Wire,
October 2006
Reconsidered Materials by Clifton Lemon, SF Station,
March 2006 |
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2005
In Resonance by Dawn Chan, NY Arts Magazine, November, December,
2005
Resonating by Nate Lippens, The Stranger, August
25, 2005
Chemistry
Set by George Chen, San Francisco Bay Guardian, June
1 - 7, 2005
Tape Machines Maken by Ed Pinsent, The Sound Projector,
2005 |
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2004
Outer
Limits -- Coelacanth : Mud Wall by Keith Moliné,
The Wire, September 2004
Electronica by Dan Warburton, Paris Transatlantic, October
2004
Outer
Limits -- Coelacanth / Jim Haynes by Keith Moliné,
The Wire, February 2004
Audio Vertité: Coelacanth by P. Eldritch, E/I,
Spring 2004
Coelacanth: The Glass Sponge by Jon Dale, Signal To Noise,
issue 32, Winter 2004
Coelacanth by Jos-Laj Duerenn, Fear Drop Issue 10, 2004 |
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2003
Dusted
Reviews: Magnetic North by Kevin Macneil Brown, Dusted Magazine,
October 2003
Music
In Review: Jim Haynes by Andrew Culler, Brainwashed.com,
Volume 6 / Issue 40, October 12, 2003
Music In
Review: Coelacanth by Andrew Culler, Brainwashed.com,
Volume 6 / Issue 40, October 12, 2003
Les Indigestibles
by S. Glass, Bananafish 17, 2003
This
Corrosion by Jonathan Marx, Nashville Scene, July 10 - 17,
2003
For
A Limited Time Only by Alan Bostick, The Tennessean,
July 13, 2003
Sound Art
-- Coelacanth: The Chronograph by Ed Pinsent, Sound
Projector, Spring 2003
Hard Hat
Area by Traci Vogel, Metro, February 27, 2003 |
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2001
Installations At Once Magical,
Emotional by Jerry Cullum, Atlanta Journal-Constitution,
November 23, 2001
Ashes To Ashes, Rust To Rust by Felicia Feaster, Creative
Loafing, November 11, 2001
Outer Limits
-- Coelacanth: The Chronograph by Will Montgomery, The Wire,
October 2001
Okno,
Fugitive Art Center By Susan B. Knowles, Art Papers, May
/ June 2001 |
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2000
Installations
and More by Barbara Fontana Yontz, In Review, September
19, 2000
Fall Art Picks by Angela Wibking, Nashville Scene, September
7, 2000 |
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